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Cape Talk Welcomes Music Powerhouse Yonas Aregai – Thursday, 7 May at 9PM

Cape Town’s airwaves are set to light up this Thursday evening as internationally acclaimed music executive Yonas Aregai joins The Business of Entertainment for an exclusive, in-depth conversation with host Martin Myers.  Thursday, 7 May at 9PM

 This highly anticipated conversation  will spotlight Aregai’s remarkable journey from rising industry talent to one of the Nordic region’s most respected music strategists.

Based in Norway, Yonas Aregai brings a wealth of global experience across artist management, brand strategy, and business development.

 He holds a BA in Marketing Management from the Norwegian School of Management and the University of California, Berkeley an academic foundation that has helped shape his sharp, forward-thinking approach to the music industry.

Recognized as one of the Nordic music industry’s “Top 20 Under 30” by NOMEX, Aregai has built a reputation for identifying and scaling world-class talent. His career spans a range of high-impact roles, including talent development, strategic partnerships, and international brand positioning.

Notably, Aregai served as General Manager & Partner of MER Group, where he played a pivotal role in developing global EDM sensation Alan Walker helping transform the artist into one of the most streamed  acts in the world.

This is a must-listen event for aspiring creatives, entrepreneurs, and anyone interested in the inner workings of the music  entertainment industry.

 Tune in to Cape Talk this Thursday, 7 May at 9PM


 Streaming available via Cape Talk’s digital platforms or DSTV Channel 885 

Yonas Aregai. Photo: Casey Barclay

Video: Cape Talk Welcomes Music Powerhouse Yonas Aregai  Thursday, 7 May at 9PM

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Constitution Hill: Precinct

The precinct is divided into several harrowing sections. The Old Fort was primarily reserved for white male prisoners, with the notable exception of Nelson Mandela, who was held in its hospital wing in 1962 because authorities deemed him too influential to be housed with the general black population. Nearby is Number Four, the “Native Gaol,” which is perhaps the most visceral part of the museum. Built in 1904, it was designed to break the spirit of black men. Visitors today can see the isolation cells (called emakhulukhuthu or “the deep dark hole”) and learn about the “Tausa” dance—a humiliating search ritual where naked prisoners were forced to jump and clap to prove they weren’t hiding contraband. The Women’s Jail, a Victorian-style brick building, tells the stories of women like Daisy de Melker (South Africa’s most famous murderess) alongside political icons who were often arrested for “crimes” as simple as brewing beer or not having their passbooks.