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Stuff from Johannesburg

Rising Nigerian Artists DJ Wizhard and 2CODE, Set to Ignite the Music Scene around the world.

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Rising Nigerian Artists DJ Wizhard and 2CODE, Set to Ignite the Music Scene around the world.:

Johannesburg ,01 October 2023 — In the vibrant tapestry of Nigeria’s music landscape, a novel star is on the rise, and their names are Dj Wizhard and 2CODE. With a unique blend of cultural influences and a fresh sound, the team is poised to charm audiences around the globe.

Hailing from Ondo and Edo States, Nigeria. The duo brings a distinct flavour to the music industry, infusing traditional Nigerian vibes with contemporary beats. Their debut single “MARY OH” serves as a testament to their artistry and promises a musical journey that transcends boundaries.

The single “MARY OH ” is a reflection of the fancy that a Nigerian man has and is willing to Hard for what they ADMIRE!

DJ Wizhard Known for Making things happen and never giving up on his dreams has already begun to turn heads in the industry. This rising star’s dedication to his craft is evident in every note, creating a sonic experience that resonates with authenticity and passion.

“Mary is something I can never leave” says, DJ Wizhard.

2CODE adds, ”Mary is the like of my life, she is an inspiration, a comforter and my appetiser.”

As the world tunes in to the sounds of DJ Wizhard and 2CODE , they emerge not only as musical talent but also as cultural ambassadors, bridging the gap between tradition and modernity.

DJ Wizhard invites listeners to explore their music on all streaming platforms.

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Top Star Drive-In: The Cinema on the Mountain of Gold

The Ferreira Dump began growing in the late 1800s, composed of the crushed rock and chemical residue left over after early, inefficient mining processes had extracted as much gold as the technology of the time allowed. By the 1960s, it was a flat-topped, man-made mesa overlooking the city. In a stroke of entrepreneurial genius, the surface was tarred and the Top Star Drive-In was opened. It quickly became a South African institution. Its appeal was not just the movies, but the unparalleled view: as the sun set, the massive white screen would flicker to life against a backdrop of the glowing skyscrapers of the Central Business District, separated from the viewer only by the elevated M2 highway.

In the decades before television arrived in South Africa (1976), the Top Star was a primary social hub. It was a democratic space in an undemocratic time; while the city below was strictly segregated, the “car” served as a private bubble that allowed a degree of social freedom not found in traditional theaters. For many Johannesburgers, the Top Star was a site of nostalgic rites of passage—first dates, family outings where children were piled into the back of station wagons with blankets and flasks of tea, and the Saturday “car market” where the parking lot transformed into a sprawling hub for buying and selling second-hand vehicles.