Playing a ‘Concrete’ Role in Africa’s Rail Revival
Advertorial: Playing a ‘Concrete’ Role in Africa’s Rail Revival: For Southern Africa’s largest railway sleeper manufacturer, Colossal …

Advertorial: Playing a ‘Concrete’ Role in Africa’s Rail Revival: For Southern Africa’s largest railway sleeper manufacturer, Colossal …

Advertorial: Rail Theft Case: Accused Juggles Lawyers, Creating Further Five-Month Delay: Businessman Nadir Mohiudeen and former PRASA …

Advertorial: ‘Innovation Station’ for Rail and Infrastructure Sectors: National Transport Minister Barbara Creecy has again outlined the …

Advertorial: Making a concrete difference in rail and other infrastructure sectors: There is light at the end of the tunnel for South …

Advertorial: Government makes progress in recovering rail services: While commuter rail services have deteriorated due to criminal …

Advertorial: PRASA to spend R50 billion modernising rail network: The Passenger Rail Agency of South Africa (PRASA) is set to increase …

Advertorial: Work underway to recover Germiston to Joburg rail line: Thursday, October 5, 2023 The Gauteng Infrastructure team is …

MyPR: How robust batteries can keep the rail industry on track: Railways Photo: Battery Centre South Africa has the largest rail network …

Johannesburg in the news: BRICS Bank Approves 0 Million Loan For Delhi-Ghaziabad-Meerut Rapid Rail, 1 Million For Mumbai Metro Line 6: …

Johannesburg in the news: Stranded Soweto train commuters back rail safety strike: JOHANNESBURG – Train commuters in Soweto said that …

As of 2026, Museum Africa also stands as a symbol of the challenges facing urban heritage in a developing megacity. For years, the museum has battled with funding shortages and the physical toll of maintaining a century-old industrial building. Heritage activists and the Johannesburg Heritage Foundation have frequently stepped in to advocate for the protection of its “at-risk” archives, which include invaluable architectural drawings of the city’s early skyline. Despite these struggles, the museum remains a vital “cultural bedrock.” It sits adjacent to the Market Theatre, where the “protest theatre” of the 1970s challenged the regime, and overlooks Mary Fitzgerald Square, the historic site of labor strikes and political rallies. Museum Africa is not a polished, sterile “white cube” gallery; it is a gritty, honest, and deeply layered institution that mirrors the resilience of the Newtown district itself.
