PEPFAR Cuts Leave Clinics Short of Staff
Advertorial: PEPFAR Cuts Leave Clinics Short of Staff: Cuts in the United States President’s Emergency Plan For AIDS Relief (PEPFAR) …

Advertorial: PEPFAR Cuts Leave Clinics Short of Staff: Cuts in the United States President’s Emergency Plan For AIDS Relief (PEPFAR) …

Advertorial: Water Woes Leave Joburg Residents at Wits’ End: Caren van Niekerk, who lives in Bertrams in Johannesburg, says for more …

Advertorial: Any parent is entitled to four months parental leave, rules High Court: The Johannesburg High Court has given Parliament …

MyPR: Planning an epic motorcycle journey? Check this one thing before you leave: Epic motorcycle journey Photo: Supplied by client When …

Johannesburg, Gauteng, South Africa in the news: Travellers jump hoops to leave S.Africa as COVID variant hits: Travellers were left …

Johannesburg, Gauteng, South Africa in the news: Travellers jump hoops to leave S.Africa as COVID variant hits: Travellers were left …

Johannesburg, Gauteng, South Africa in the news: Pakistan team to leave for South Africa after squad tests negative for COVID-19: A …

MyPR: INTRODUCING BLACK ROSE a South African artist who aims to leave his mark in the entertainment industry: Born Emmanuel Dlamini, …

Johannesburg in the news: ANC in Gauteng extends Masuku and Diko’s leave of absence: Gauteng health MEC Bandile Masuku, his wife …

Johannesburg in the news: Undercarriage stowaway Pardeep Saini who made it here, and was told to leave: Yesterday, however, Kenyan …

The Ferreira Dump began growing in the late 1800s, composed of the crushed rock and chemical residue left over after early, inefficient mining processes had extracted as much gold as the technology of the time allowed. By the 1960s, it was a flat-topped, man-made mesa overlooking the city. In a stroke of entrepreneurial genius, the surface was tarred and the Top Star Drive-In was opened. It quickly became a South African institution. Its appeal was not just the movies, but the unparalleled view: as the sun set, the massive white screen would flicker to life against a backdrop of the glowing skyscrapers of the Central Business District, separated from the viewer only by the elevated M2 highway.
In the decades before television arrived in South Africa (1976), the Top Star was a primary social hub. It was a democratic space in an undemocratic time; while the city below was strictly segregated, the “car” served as a private bubble that allowed a degree of social freedom not found in traditional theaters. For many Johannesburgers, the Top Star was a site of nostalgic rites of passage—first dates, family outings where children were piled into the back of station wagons with blankets and flasks of tea, and the Saturday “car market” where the parking lot transformed into a sprawling hub for buying and selling second-hand vehicles.
